Her teaching and publications are unified by a commitment to understanding the mobility of early modern and postmodern cultures in their literary, performative, and digital forms of expression.
“Boomerang Shakespeare: Foreign Shakespeare in Britain.” The Cambridge Guide to the Worlds of Shakespeare Vol. 2: The World’s Shakespeare, 1660-Present, ed. Bruce Smith (Cambridge: Cambridge University Press, 2016), pp. 1094-1101.
Shakespearean Performance as a Multilingual Event: Alterity, Authenticity, Liminality, in Interlinguicity, Internationality, and Shakespeare, ed. Michael Saenger (McGill-Queen’s University Press, 2014),pp. 190-208.
“Mo Yan’s Work and the Politics of Literary Humor,” in Mo Yan in Context: Nobel Laureate and Global Storyteller, ed. Angelica Duran and Yuhan Huang (West Lafayette: Purdue University Press, 2014), pp. 153-166